absent texts #3, #4
Sunday, 11 March 2012
Thursday, 8 March 2012
brutus carniollus - Český Krumlov, Czech Republic
Submitted by Brutus Carniollus...
A UNESCO World Heritage Site, Český Krumlov is famous for its Old Town, with 300 protected medieval buildings, and its castle complex, the second largest in the Czech Republic.
Surrounded by rolling hills and the Vltava River, Český Krumlov's cobblestone streets wind past centuries old townhomes, inns, shops, and cafes. Located in the southwest part of the Czech Republic, this picturesque city is home to about 14,000 residents.
Český Krumlov is a cultural center with a dozen museums and galleries, a medieval castle complex with beautiful gardens, historic and modern theaters, including the Castle Baroque theater built in the 1600's, and the revolving auditorium, built in the 20th Century, and hundreds of cultural events each year.
The Old Town has several noteworthy museums and galleries. The Regional Museum houses a permanent collection of about 34,000 objects including Bohemian antiques and archeological finds from the region as well as a detailed model of Český Krumlov at the turn of the 19th century.
The Museum of Architecture and Craft, located on the first floor of the historic house, Dlouhá 92, in the centre of Český Krumlov, displays the architectural details of the burgher houses of Český Krumlov from the Middle Ages to today. The museum exhibits timber ceilings, portals, doors and windows, framing and facades, as well as colourful interior decorations.
http://www.krumlov.com/
http://brut.bukve.net
Wednesday, 7 March 2012
there is beauty in the city - the conversation - #21
#21 - in reply to Igor Calvo
The idea of a single city, with a unifying force and a community committed to collectively working towards its success could be seen as a model for finding a way through the post-industrial regeneration of a city. Igor, you suggest that Bilbao has that unity.
Stoke-on-Trent a conglomeration of 6 towns spread over 8 miles originally came together as a federation and became a city 100 years ago. Yet it has never quite managed to achieve that idea of "unity".
The city is still, in effect, a group of 6 individual towns, working for their own ends, sitting uneasily under the umbrella of Stoke-on-Trent. There is a resistance to commit to a unified city centre - a parochial protectiveness of one's hometown. Until these ties and boundaries are loosened and broken, this city might never achieve the potential that a collective spirit might realise.
The idea of a single city, with a unifying force and a community committed to collectively working towards its success could be seen as a model for finding a way through the post-industrial regeneration of a city. Igor, you suggest that Bilbao has that unity.
Stoke-on-Trent a conglomeration of 6 towns spread over 8 miles originally came together as a federation and became a city 100 years ago. Yet it has never quite managed to achieve that idea of "unity".
The city is still, in effect, a group of 6 individual towns, working for their own ends, sitting uneasily under the umbrella of Stoke-on-Trent. There is a resistance to commit to a unified city centre - a parochial protectiveness of one's hometown. Until these ties and boundaries are loosened and broken, this city might never achieve the potential that a collective spirit might realise.
there is beauty in the city - the conversation - #20
no. 20 in the ongoing conversation between Igor and Glen
Igor...
Igor...
Even though history tends to personalize in individual figures both the successes and failures of a country, a city…sometimes it’s the community the one who takes the credit for achieving something good.
In the modern history of Bilbao, we find a really good example of how the collective spirit and the feelings of belonging and loyalty to a club by a whole city, have managed to maintain among the most important professional football teams a club comprise solely, since its creation more than one hundred years ago, by basque players: the Athletic of Bilbao.
Itzi and Imanol, along with 40,000 people at San Mames and hundreds of miles more at their homes or in the streets, stuck to their radios or TVs; they all are, concerning the Athletic of Bilbao, just one figure, just one spirit who keeps on making the impossible happen.
Alberto López Benítez - Dubrovnik
Thanks to Alberto for sending in these images from his European travels with the promise of more to come. These show Dubrovnik.
"As I promised you, I send you a picture of the magnet traveling through the streets ofDubrovnik. I have three pictures of this city and another picture more in Athens. I would have liked to do more photos, but we were always in a hurry!
We were also in Olympia, Santorini, Mykonos, Venice... and I regret not having taken more pictures with the magnet...!"
"As I promised you, I send you a picture of the magnet traveling through the streets ofDubrovnik. I have three pictures of this city and another picture more in Athens. I would have liked to do more photos, but we were always in a hurry!
We were also in Olympia, Santorini, Mykonos, Venice... and I regret not having taken more pictures with the magnet...!"
Wednesday, 18 January 2012
there is beauty in the city - the conversation - #19
In response to Igor...
The growth of a city is often inextricably linked to the efforts and presence of one or two notable figures. Post-industrial cities can often be dominated by the ghosts of the same figures.
http://en.wikipedia.org/wiki/Josiah_Wedgwood
The growth of a city is often inextricably linked to the efforts and presence of one or two notable figures. Post-industrial cities can often be dominated by the ghosts of the same figures.
http://en.wikipedia.org/wiki/Josiah_Wedgwood
Saturday, 14 January 2012
there is beauty in the city - the conversation - #18
a quick reply from igor brings into question our cities' heroes...
Plaques, monuments, statues, street names ... the cities are full of signs and landmarks that celebrate, commemorate or highlight people and events that are assumed to have played an important role in the development of today’s city.
But those urban marks go back to past times and tell us stories which, as history itself, should be revisited and reinterpreted every now and then, as the official history not always tell us the truth.
Rafael Sánchez Mazas was a founding member and leader of the *Falange and Minister during the Franco regime. Today, there is no reason why such a significant character of the Franco dictatorship should give name to a walk in Bilbao.
*A fascist political movement and party
Plaques, monuments, statues, street names ... the cities are full of signs and landmarks that celebrate, commemorate or highlight people and events that are assumed to have played an important role in the development of today’s city.
But those urban marks go back to past times and tell us stories which, as history itself, should be revisited and reinterpreted every now and then, as the official history not always tell us the truth.
Rafael Sánchez Mazas was a founding member and leader of the *Falange and Minister during the Franco regime. Today, there is no reason why such a significant character of the Franco dictatorship should give name to a walk in Bilbao.
Wednesday, 4 January 2012
there is beauty in the city - the conversation - #17
in reply to igor...
urban markings create memorials to human presence and events. cities are, in some part, a product of these presences and occurences which combine to create narratives that make each city unique.
pc john taylor was pushed from a building while attempting to apprehend a burglar.
urban markings create memorials to human presence and events. cities are, in some part, a product of these presences and occurences which combine to create narratives that make each city unique.
pc john taylor was pushed from a building while attempting to apprehend a burglar.
Sunday, 18 December 2011
there is beauty in the city - the conversation - #16
Igor replies...
Nobody discuss the need for urban renewal of cities (much more arguable and controversial, I agree, is how to do it), but even greater is the need of its inhabitants to keep the memory of their tracks through those urban microcosms; even though, as this is the case, an attempt of showing evidence of our passage through life or just where we were once.
Festive Greetings from Beauty in the City
there is beauty in the city season's greet ings 2011 from glen stoker on Vimeo.
Festive Greetings from There is Beauty in the City - we are celebrating by being box number 18 in the AirSpace Gallery AirVent Calendar window project. Have a look at all of the entries here, and choose your favourite in the vote. Each day a different artist has created their take on the Festive Season, and Beauty in the City has selected the most 'christmassy' of the entries we have had so far. So Festive Greetings to all of our followers and collaborators, and here's to a Beautiful 2012!
Tuesday, 29 November 2011
there is beauty went to plymouth and saw...
the sea
some cows
and surprise surprise
some art.
well it was the british art show
amongst plenty on offer we saw keith wilson's zone 1
and the amazing, highly acclaimed The Clock , Christian Marclay's 24 hour montage of clips from several thousand films showing scenes featuring clocks and watches, or situations indicating a particular time of day.
There's still a week of the British Art Show left, and it's well worth making the effort to get to England's western-most city.
Plymouth is one of those cities - a bit like a land that time forgot - a real sense of a bygone importance replaced with a note of ennui. It definitely has a charm though, a melancholy charm, in the way that seaside towns and cities do. oh and a great 1950's utopian outdoor shopping centre.
some cows
and surprise surprise
some art.
well it was the british art show
amongst plenty on offer we saw keith wilson's zone 1
and the amazing, highly acclaimed The Clock , Christian Marclay's 24 hour montage of clips from several thousand films showing scenes featuring clocks and watches, or situations indicating a particular time of day.
There's still a week of the British Art Show left, and it's well worth making the effort to get to England's western-most city.
Plymouth is one of those cities - a bit like a land that time forgot - a real sense of a bygone importance replaced with a note of ennui. It definitely has a charm though, a melancholy charm, in the way that seaside towns and cities do. oh and a great 1950's utopian outdoor shopping centre.
Sunday, 27 November 2011
Wednesday, 2 November 2011
there is beauty in the city : the conversation - #14
![]() |
| Urban Still Life III |
In increasingly populated cities, to the point that by 2050 “the cities will absorb all the world population growth”*, is interesting to find out how we can still find isolated and “uninhabited” urban spaces in which the human presence can only be sensed and not seen; sometimes in a poetic way, much more prosaic in others, one just have to follow the trace…
In any case, will the cities of the future be able to put up with the waste generated by their increasingly population?
*Mike Davis, “Planet of slums”, 2006
Saturday, 22 October 2011
there is beauty in the city : the conversation - #13
glen stoker:
I walk past this window a few times a week and always feel compelled to peer inside. The dishevelled room, is a workmen's rest room and is inhabited by a fridge, a microwave oven, a heater and a couple of chairs.
And a table.
I've never seen anybody in the room. But I know there's a human presence because the table always has something on it. Usually it's a folded tabloid newspaper. Today it was a carrier bag, full of tomatoes.
Saturday, 1 October 2011
there is beauty in the city : the conversation - #12
During our conversation, we have “talked” more than once about the "protected" spaces that cities devote to the vehicles that drive along them everyday, either when they fulfill their primary function (as car “nurseries”), or even on such occasions when they are used for another purpose (as in the case of car boot sales); however, little mention have we made of its main protagonists: the cars which, at least in Bilbao, nearly match the number of its inhabitants, with the problems that it brings to the circulation in the city.
There are times even, as in this street in the center of Bilbao, in which, depending on how we place ourselves, we can hardly see a human presence among so many cars if not reflected in the car glasses.
bahar mhamad - hawraman, kurdistan
Thanks to Bahar for these evocotive images taken in Hawraman
mud art
mud art which made with earth and water , the earth should be pure and clean of anything , by putting water on the earth you should make it wet first .
when its get wet start to mix it properly till the earth getting soft , massage it for 10 minute till change all earth to mud .
leave it for 30 minute then give it massage again for 5 minute after that its ready to use you can make any tips of work as you want especially in art design .
its also used for mud oven till now in iraqi kurdistan .
flour machine
this machine is used for grinding of grain in iraqi kurdistan as a classic life till seventieth , how ever its not in use any more because modern machine in use instead
its created with two circler special stone which is hare to break and two pieces of wood ,the bottom one called male because it has a wood which is located on the focus of it .
the second one called female because it has a harrow , the harrow is in the middle .
the male wood is smaller than the harrow female stone the reason of that is :the male wood should get in the female harrow before use .
the male is motionless, but the female is rotter its also has a piece of wood its used as a peddle .
how it makes flour ?
full the machine of grains
by putting the grains in to the harrow machine on the top , then start the machine by peddle wood to orbiting the male stone .
when you orbiting the male stone the grains going down among them and finally the flour comes out in the middle of machine .
mud art
mud art which made with earth and water , the earth should be pure and clean of anything , by putting water on the earth you should make it wet first .
when its get wet start to mix it properly till the earth getting soft , massage it for 10 minute till change all earth to mud .
leave it for 30 minute then give it massage again for 5 minute after that its ready to use you can make any tips of work as you want especially in art design .
its also used for mud oven till now in iraqi kurdistan .
flour machine
this machine is used for grinding of grain in iraqi kurdistan as a classic life till seventieth , how ever its not in use any more because modern machine in use instead
its created with two circler special stone which is hare to break and two pieces of wood ,the bottom one called male because it has a wood which is located on the focus of it .
the second one called female because it has a harrow , the harrow is in the middle .
the male wood is smaller than the harrow female stone the reason of that is :the male wood should get in the female harrow before use .
the male is motionless, but the female is rotter its also has a piece of wood its used as a peddle .
how it makes flour ?
full the machine of grains
by putting the grains in to the harrow machine on the top , then start the machine by peddle wood to orbiting the male stone .
when you orbiting the male stone the grains going down among them and finally the flour comes out in the middle of machine .
wall stone
the wall stone is one of must beautiful and hard Kurdish design which was made by them , its belong to hundred of years ago
its made with stone and mud , the stones are corrected and decorated by hummer before the use also the mud was made hard and strongly by mixing with a little of grass , the reason of that because the grass defending of mud , its make the mud to stay between the stones even if the mud gets wet by rain especially in winter.
Because that part of Kurdistan which is located on the mountains which is called Hawraman is the coldest part in Kurdistan people still using this tips of wall by using cement instead the mud .
the wall stone is one of must beautiful and hard Kurdish design which was made by them , its belong to hundred of years ago
its made with stone and mud , the stones are corrected and decorated by hummer before the use also the mud was made hard and strongly by mixing with a little of grass , the reason of that because the grass defending of mud , its make the mud to stay between the stones even if the mud gets wet by rain especially in winter.
Because that part of Kurdistan which is located on the mountains which is called Hawraman is the coldest part in Kurdistan people still using this tips of wall by using cement instead the mud .
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